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2:13 that A4 was really badly strained & a bit unstable (even a bit flat at the start)… I prefer the second night over this (the dodge phrasing there was quite powerful too)

3:26 Awesome!!! Probably the only time in 86 that he hit that A4 sustain right on the beat drop

0:47 1:05 1:45 2:02 2:19 "We Are The Losers"

If someone ever makes an ultimate worst live version of WATC (aka "We Are The Losers"), then I'd expect the famous Detroit crack followed by this 2:37 at the last chorus xD

0:30 0:48 2:05 2:19 2:37 "We Are The Losers"

1:06 1:27 1:47 2:15 2:20 "We Cannot Rock You"

0:21 0:42 Better than Kanye's version I should say 3:21 should've featured in the Bohemian Crapsody video xD

Hands down, one of the best ever Brighton Rock versions!

Hands down, one of the best ever Brighton Rock versions!

3:52 SUPERB solo by Brian, could've been one of the GOAT versions of Jazz tour, but Freddie just has to counterbalance it with his amazing voice at 2:41 5:30 5:48 ~

3:16 Her mother tied him down

This song is a real obstacle on Jazz tour, as well as BoRhap & WATC… but these songs will be on fire live from next year onwards!

0:48 Awesome for Jazz tour 1:28 unfortunately counterbalanced by this

2:35 Quite rough but powerful G4 phrasing! 3:17 Near end of the tour but still sounding strong here! 3:28 Lars Ulrich made a special appearance here

2:52 was REALLY strong… 3:13 slight fumble by Brian 4:13 Really nice alternate melody unfortunately leading to 4:17 a spoke-sung "forever" Overall still a top 10 live version!

3:08 woah Brian…

I'm gonna be honest, I think this Borhap gets too much flak. Despite the scuffed 1st verse and a few tiny cracks it's a solid version. Freddie's tone sounds much brighter than it does in Rosemont and he sings the key phrases quite well even with the instabilities in his voice.

I thought they didn't play STL on The Game's North American tour

The official Suck Montreal version (11/25) was probably the second worst Game tour version since Mar Del Plata 81 (no C5, no EEEEEEverybody Bb4, no Bb4s during the vocal improvs)…

Hands down, the best live version of this song ever! If only there’s a better quality of this version (QPL, you know what I mean… 😅)

1:56 the only German show that has the EEEEEVERYBODY Bb4! Unfortunately nothing more than that in this version😢

What a way to embrace his transition to his all-time-best vocal shape that would happen 3 months later!

1:00 1:25 Yup, just some necessary struggle to prepare for a killer non-C5 version of WATC :D

Nowhere near previous night's version, but the solo at 2:26 was TASTY!

0:52 the only verse of the night got an E3 1:26 superb solo!

Last time riding Darth Vader's shoulders 😔

1st Leiden was really kinda a mixed bag; it got the highest highs like TYMD & AKOM & ITLOTG B4, and it got the lowest lows like this one and WWTLF! Haha

1st Leiden was really kinda a mixed bag; it got the highest highs like TYMD & AKOM & ITLOTG B4, and it got the lowest lows like this one and FWBF! Haha

2:19 poor solo by Brian :( one of the worst Magic tour WWRYs unfortunately Another instrumental overdub xD

If someone makes an ultimate live version of Under Pressure, then 2:19 definitely is a must to be added

Despite missing the “all on my own” Bb4, it’s still a passionate version (and maybe still a bit better than QP’s Suck Montreal version xD)

Awesome version! The solo sounded a tad awkward in spots tho

Why is this Greg's most viewed video? What's so special? Is it because Freddie's voice is cracking, or for another reason?

One of the best '86 versions! Take that, poor Wembley & Hungarian Crapsody RGGs!

2:43 is REALLY strong, unfortunately it’s being offset by the terrible guitar tuning mistake at 2:12, also 2:32 is awkward, 3:02 another slight fumble by Brian, 3:10 is pretty rough, 3:26 was also quite unstable 😢

2:05 that’s rough… 2:19 awkward solo entry by Brian 😅 2:44 quite wonky 3:29 nice alternate phrasing Overall not really a good version, but Brian or Spike saved this one with 2:59!

Tbh, the official Rock Montreal version (11/25) wasn't as strong as previous shows' versions, it was still a solid rendition with a lovely piano intro and nice alternative phrasings in the bridge. The real problem with that version was the macho embellishments at the last chorus (like "this is YOOooOOoour life", "PLAY THE GAME OF LOve! YEAHEAHEAH!"), and a quite bland ending solo…

HEHEHHEEH ONE OF MY FAVES

Definitely one of the best versions of Tie Your Mother Down ever!

Best 1977 version of KYA (maybe one of the best pre-Jazz tour version as well)! If only some NOTW versions such as Detroit also had that improv section like 1:28…

Despite the gig being one of the best post-Wembley shows (and despite he went for many A4s in the first and second verse), this unfortunately has the worst bridge of One Vision 😅

The song is really a bitch to sing… Despite getting the B4 at 1:13, afterwards there are still quite a lot of rough places to make it one of the best versions Unfortunately It’s Late also had to coincide with Jazz tour where Freddie isn’t in a very good shape overall (and they dropped this from Crazy tour onwards…)

PEACE some d-Ay!

Spike Review: 10. We Are the Champions | First Chorus 0:35 is quite clear, 1:48 is much quiter, and let’s hope the finale bit cuts thru… at 2:44> End (it did not)

Spike Review: 9. Friends Will Be Friends | First chorus brings us Vocoder on 0:35, 0:41, 0:49 which are all pretty clear especially 0:49’s, now for 1:34, 1:41, 1:48 first chorus was much quiter but 1:48>End was quite good actually

Spike Review: 8. Radio Ga Ga | Unique Drum Intro from 0:08>0:20, anyways now onto Spike, 0:55 is almost Soundboard clear, 1:11 is quiet for the first bit but then gets very clear, 1:43 is again clear, now for 2:36 is very clear (Soundboard quality) 3:09 is Alritht, now for z Vocoder at 4:17 which again very clear, 4:51 is clear and Vocoder is clear on last chorus breaking thru A Lot and for the finale at 5:08 is very clear in the Mix

Spike Review: 7. Hammer to Fall | Synths at 0:51>1:06 are alright in the mix I suppose

Spike Review: 6. Bohemian Rhapsody | Vocoder at 4:12 is not at all audible, following synths are quiet until 4:22>

Spike Review: 5. Now I’m Here | Synths at 0:35 are kinda quiet compared to most Magic gigs, 1:24 are also pretty quiet, breakdown synths at 4:51 are quite loud

Not Spike related but I love the power/emotion at 2:50 specifically but the whole verse here is my Favourite of the Tour